Pipili, Nov 13: Pattachitra, Odisha’s centuries-old traditional painting art, is creating new livelihood opportunities for women beyond its well-known hub of Raghurajpur. In Pipili, a group of 15 young women is using the traditional art form to build financial independence under the guidance of Rashmita Das.

Pattachitra Beyond Raghurajpur: 15 Pipili Women Pursue Self-Reliance Through Traditional Art

 Representational Image 

Widely recognised for its intricate designs, mythological themes and vibrant colours, Pattachitra has long been associated with Odisha’s cultural heritage. While Raghurajpur in Puri district remains one of its best-known centres, artists in other parts of the district are also working to take the craft to new communities.

In Pipili, the initiative led by Rashmita Das is helping young women explore their artistic abilities and turn them into a means of earning a livelihood. Their efforts reflect how traditional crafts can create opportunities for women while keeping Odisha’s cultural legacy alive.

Traditional Art Opens New Livelihood Opportunities

For the 15 women involved in the initiative, Pattachitra is more than an artistic pursuit. It offers a way to develop skills, pursue creative work and work towards economic self-reliance.

By learning and practising the traditional painting style, the women are contributing to the wider effort to preserve Odisha’s indigenous art forms while exploring opportunities to sustain themselves through their craft.

Artisans Seek Recognition And Government Support

Despite their efforts, securing formal recognition as artisans remains an important concern for the group. The women are seeking artisan identity cards, which could help them access government assistance and benefits available to traditional craftspeople.

Such recognition can play an important role in connecting grassroots artists with institutional support and opportunities to promote their work.

The initiative in Pipili highlights the potential of traditional art to support women’s empowerment beyond established craft centres. With greater recognition and access to government schemes, these women hope to strengthen their livelihoods while carrying forward a treasured part of Odisha’s artistic heritage.

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